Sunday, August 26, 2012
The Untouchables (The UTs) 'Wild Child' album was released 27 years ago during the spring of 1985. It remains one of the earliest and most popular examples of purely American-styled 2-Tone ska that combined soul, pop and funk. Some rare live footage of the band performing a show at the iconic rock club The Distillery in San Diego in 1984 has recently surfaced. While many of the songs from this show did not make it on to any of the band's subsequent records, they showcase the band's more mod and rock inspirations as well as their stage moves.
The success of The Untouchables and their giant step from local Los Angeles ska/mod heroes to a major label deal with Stiff Records in the U.K. is a classic story about how old fashioned DIY marketing, self-promotion and good luck used to work in the music business. And it didn't hurt that the band were a great live draw up and down Southern California.
The band were a huge inspiration to me as a young ska and 2-Tone obsessed teen and a show I saw them play opening for UB40 at Fordham University here in New York City in 1985 helped convince me to start my own ska band. I've had the honor and pleasure of interviewing both original band vocalist Kevin Long and keyboardist/organist Josh 'Acetone' Harris who both played key roles in the initial success of the band in Los Angeles (Long) and its later international success for Stiff Records (Harris).
The UTs exploded out of the O.N. Klub in Los Angeles in 1981 and soon provided the soundtrack for the ska/mod revival that spread like wild fire across Southern California in the early 80's. The band quickly outgrew the small confines of the O.N. Klub as word of their live show grew and they sold out several self-released 7" singles. According to a 1985 Billboard story, the band raised $15,000 from private investors (who were paid back with interest!) and recorded the well-received 'Live & Let Dance' EP on the indie Twist Records label. Next they invested an additional $7,000 to produce a video for the song 'Free Yourself' which started to generate television airplay. As a result the EP sold 40,000 copies and the video won the 1985 award for best independent video from Billboard Magazine. The band also made memorable movie cameos in 'Repo Man' and 'Party Animal'.
Without further ado, I transport you back to 1984.....
The New Breed
Public Enemy #1
Whatcha You Gonna Do?
Future Of The Globe
Monday, August 13, 2012
Following their triumphant performance during the closing cermonies of the London Olympics last night, Madness have just released the first single from their hotly anticipated new album "Circus Freaks" which is due out sometime in 2013. The song, "Death Of A Rude Boy" is available as a free download (click here). The single's also been remixed by Andrew Weatherall, which you can download from iTunes.
Unlike the upbeat and decidedly English pop of their last album "The Liberty of Norton Folgate," the new single has a rather sinister sounding reggae skank to it, along with a strong hint of The Specials 'Ghost Town' in the eerie organ melody that carries the song.
While there's no release date for the album yet, the band are setting out on a UK tour to support it later this year.
Fri 23 - Mon 26 - House Of Fun Weekender, Butlins Minehead
Fri 30 - Motorpoint Arena, Cardiff
Sat 1 - Brighton Centre, Brighton
Mon 3 - BIC, Bournemouth
Tue 4 - Plymouth Pavilions, Plymouth
Thu 6 - Capital FM Arena, Nottingham
Fri 7 - Echo Arena, Liverpool
Sat 8 - Metro Radio Arena, Newcastle
Mon 10 - SECC, Glasgow
Tue 11 - Motorpoint Arena, Sheffield
Thu 13 - LG Arena, Birmingham
Fri 14 - O2 Arena, London
Sat 22 - O2 Arena, London
Thursday, August 2, 2012
The always excellent Dangerous Minds has posted a great re-mix of some of Elvis Presley's best known songs done in a rocksteady and reggae style. The mix is very reminiscient of The Drastics "MJ A Rocker," a brilliant mix of Michael Jackson's original vocals dropped in on top of spot-on skinhead reggae covers of his best known song. Similarly, Presley's original vocals are dropped on top of some very nice reggae and rocksteady backing tracks.
Please note that while the music is definitely PG, the accompanying video is definitely NSFW!
Return To Sender
In The Ghetto
It’s Now Or Never
Baby I Don’t Care
I’ll Remember You
Are You Lonesome Tonight?
Crying In The Chapel
Wednesday, August 1, 2012
I've previously written about the ways that mainstream rock and pop artists have embraced reggae in a genuine fashion (Paul Simon, Blondie and Johnny Nash) or dabbled in a number of dreadful attempts (Cod Reggae any one?). However, it is very possible that the very first reggae song with a Gay story line may be Patti Smith's 1975 track "Redondo Beach" taken from her "Horses" album.
On the surface, a song that name checks a beach could be construed as a cliche for a rock-reggae recording. In fact Redondo Beach was a popular destination (or perhaps a safe-haven) for lesbians living near Los Angeles at the time. With the back drop established, Smith tells the tale of an untimely suicide of a young gay woman and a love that never was. Despite the laconic reggae sounds the lyrics convey a kind of sufferers music that reggae artists of the 70's could have appreciated but never would have imagined.
The song struck a chord in the the 70's and beyond when Gays and lesbians began to assert themselves culturally and politically, resulting in the movement towards marriage equality across parts of the United States today. However, nearly 40 years go, listeners heard Smith sing the lyrics (set to a reggae rythym) as a grieving and confused gay woman. As such, listeners assumed she herself was gay. She revealed this in a 2005 interview:
'I always enjoyed doing transgender songs. That's something I learnt from Joan Baez, who often sang songs that had a male point of view. No, my work does not reflect my sexual preferences, it reflects the fact that I feel total freedom as an artist. On Horses, that's why the sleevenote has that statement about being "beyond gender". By that, I meant that as an artist, I can take any position, any voice, that I want.'Smith revealed the inspiration behind "Redondo Beach" in the same interview.
'Redondo Beach', was also widely interpreted as the lament of a woman whose girlfriend has committed suicide and whose body washes up on a Los Angeles beach popular with lesbians and gays. Actually, says Smith, it's a song about her sister Linda, a sort of morbid fantasy rooted in remorse: the pair, rooming together in the Chelsea Hotel, quarrelled, and Linda disappeared, causing Patti much anguish. Written in 1971, the verses languished in a drawer for several years, until they were pulled out and given an incongruously jaunty reggae backing.Despite his infamous “All reggae is vile” comment (later he claimed that the quote was just a joke and that he was a fan of reggae music), Morrissey released his own reggae-lite live version of "Redondo Beach" a few years back which has become a staple of his live shows. Have a listen to his take on this classic (complete with reggae organ!).