Monday, April 3, 2017
The Story Behind General Public's Other, Much Darker Video For "Tenderness"
For anyone who came of age in the 80's, General Public's video for "Tenderness" was nearly ubiquitous. It featured smiling, happy children, interspersed with moody shots of Dave Wakeling and Ranking Roger singing and dancing in front of swirling lights. When paired with the songs upbeat sound, the video highlighted the brighter side of the lyrics more melancholy undertones. Otherwise, the video didn't stand out significantly from the many other pop and new wave videos of the era.
That said, if you really paid attention, the lyrics were deeper than they appeared. According to Wakeling:
"I used to like traveling with the trucks that carried the gear. I'd always been a big fan of that TV show Cannonball when I was a kid, and thought that the idea of American trucks was very romantic. So when we came on tour, I used to love to drive overnight with the truck drivers and talk rubbish on the CB in there. And so it was as if the trucks were driving in what's called "the endless gray river." And the notion was that you were driving around in there in America searching for the tenderness, whereas, of course, it's in your heart all the time. So it's like you're looking in the outside world for something that can only be discovered in yourself, because love is a verb, not a noun. That was the notion of it. But also there was a darker side to the song, because it came out in that period of AIDS, fear of AIDS. Nobody really knew much about it, and everybody was all of a sudden terrified to touch a door handle. Being a terrific hypochondriac, and everybody was always having colds on the road on tour, it's like any time anybody sneezed, I was like, could that be AIDS? So it was to do with that, but in sort of non-obvious way."
And to that end, there was another, much darker and more adult version of the video for "Tenderness" which was filmed in the U.K. (by the director of Bronski Beat's cutting edge video for "Small Town Boy") that never aired here in the U.S. The story behind the two very different videos is a classic case of American puritanical views on sex and a U.S. record company that was aiming to place the song at the top of the pop charts (it reached #27 in the Billboard Charts) and record a video that would garner regular rotation on MTV. According to Wakeling:
We did two versions. We did one in England with Nicholas Roeg’s son, who’d just become a video director, and he’d just done a Bronski Beat video. I really enjoyed that video, and so our first one had this female lifeguard, and we’re all playing around in the swimming pool. I’d been a competition swimmer, so when they proposed a swimming pool, I said yes yes, thinking I could show off a bit. So the girl and I are supposed to be eyeing each other and then we end up in the shower, and she takes off her jacket and she’s actually a female bodybuilder with a crew cut. She tosses off her wig and embraces me, and that’s the end of the video. Everyone in England thought it was amazing. We brought it over to Miles Copeland and his crew and they said [in a barking tone] “No no no no no.” We said we didn’t have any money to re-shoot, but IRS Records came up with the money. They introduced us to [director] C.D. Taylor whom I like very much, and I think the theme of that video was that Roger and I were very attractive people at sunset. (laugh) We shot much of the performance on the A&M lot. C.D. Taylor found these eye drops that made blue eyes look even bluer with the right lens on. It ended up being my mom’s favorite video. I showed the two cuts to my mom, and she said, “ah, your eyes do look lovely in that one.”
Check out the radically different UK version of the video for the song below. The risque visuals and storyline of a family man dealing with temptation and infidelity while on the road is far more compelling than most pop videos of the day and completely changes your view of the song forever. Too bad Miles Copeland was so shortsighted!